RStudio AI Weblog: Wavelet Rework

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Be aware: Like a number of prior ones, this publish is an excerpt from the forthcoming guide, Deep Studying and Scientific Computing with R torch. And like many excerpts, it’s a product of arduous trade-offs. For extra depth and extra examples, I’ve to ask you to please seek the advice of the guide.

Wavelets and the Wavelet Rework

What are wavelets? Just like the Fourier foundation, they’re capabilities; however they don’t prolong infinitely. As a substitute, they’re localized in time: Away from the middle, they shortly decay to zero. Along with a location parameter, additionally they have a scale: At totally different scales, they seem squished or stretched. Squished, they are going to do higher at detecting excessive frequencies; the converse applies once they’re stretched out in time.

The fundamental operation concerned within the Wavelet Rework is convolution – have the (flipped) wavelet slide over the info, computing a sequence of dot merchandise. This fashion, the wavelet is principally in search of similarity.

As to the wavelet capabilities themselves, there are a lot of of them. In a sensible software, we’d wish to experiment and choose the one which works greatest for the given knowledge. In comparison with the DFT and spectrograms, extra experimentation tends to be concerned in wavelet evaluation.

The subject of wavelets could be very totally different from that of Fourier transforms in different respects, as properly. Notably, there’s a lot much less standardization in terminology, use of symbols, and precise practices. On this introduction, I’m leaning closely on one particular exposition, the one in Arnt Vistnes’ very good guide on waves (Vistnes 2018). In different phrases, each terminology and examples mirror the alternatives made in that guide.

Introducing the Morlet wavelet

The Morlet, also called Gabor, wavelet is outlined like so:

[
Psi_{omega_{a},K,t_{k}}(t_n) = (e^{-i omega_{a} (t_n – t_k)} – e^{-K^2}) e^{- omega_a^2 (t_n – t_k )^2 /(2K )^2}
]

This formulation pertains to discretized knowledge, the sorts of knowledge we work with in follow. Thus, (t_k) and (t_n) designate cut-off dates, or equivalently, particular person time-series samples.

This equation seems daunting at first, however we are able to “tame” it a bit by analyzing its construction, and pointing to the primary actors. For concreteness, although, we first have a look at an instance wavelet.

We begin by implementing the above equation:

Evaluating code and mathematical formulation, we discover a distinction. The perform itself takes one argument, (t_n); its realization, 4 (omega, Ok, t_k, and t). It is because the torch code is vectorized: On the one hand, omega, Ok, and t_k, which, within the formulation, correspond to (omega_{a}), (Ok), and (t_k) , are scalars. (Within the equation, they’re assumed to be mounted.) t, then again, is a vector; it can maintain the measurement occasions of the sequence to be analyzed.

We choose instance values for omega, Ok, and t_k, in addition to a variety of occasions to judge the wavelet on, and plot its values:

omega <- 6 * pi
Ok <- 6
t_k <- 5
 
sample_time <- torch_arange(3, 7, 0.0001)

create_wavelet_plot <- perform(omega, Ok, t_k, sample_time) {
  morlet <- morlet(omega, Ok, t_k, sample_time)
  df <- knowledge.body(
    x = as.numeric(sample_time),
    actual = as.numeric(morlet$actual),
    imag = as.numeric(morlet$imag)
  ) %>%
    pivot_longer(-x, names_to = "half", values_to = "worth")
  ggplot(df, aes(x = x, y = worth, coloration = half)) +
    geom_line() +
    scale_colour_grey(begin = 0.8, finish = 0.4) +
    xlab("time") +
    ylab("wavelet worth") +
    ggtitle("Morlet wavelet",
      subtitle = paste0("ω_a = ", omega / pi, "π , Ok = ", Ok)
    ) +
    theme_minimal()
}

create_wavelet_plot(omega, Ok, t_k, sample_time)
A Morlet wavelet.

What we see here’s a complicated sine curve – observe the actual and imaginary components, separated by a part shift of (pi/2) – that decays on either side of the middle. Wanting again on the equation, we are able to determine the elements chargeable for each options. The primary time period within the equation, (e^{-i omega_{a} (t_n – t_k)}), generates the oscillation; the third, (e^{- omega_a^2 (t_n – t_k )^2 /(2K )^2}), causes the exponential decay away from the middle. (In case you’re questioning in regards to the second time period, (e^{-Ok^2}): For given (Ok), it’s only a fixed.)

The third time period really is a Gaussian, with location parameter (t_k) and scale (Ok). We’ll discuss (Ok) in nice element quickly, however what’s with (t_k)? (t_k) is the middle of the wavelet; for the Morlet wavelet, that is additionally the placement of most amplitude. As distance from the middle will increase, values shortly method zero. That is what is supposed by wavelets being localized: They’re “lively” solely on a brief vary of time.

The roles of (Ok) and (omega_a)

Now, we already stated that (Ok) is the dimensions of the Gaussian; it thus determines how far the curve spreads out in time. However there may be additionally (omega_a). Wanting again on the Gaussian time period, it, too, will affect the unfold.

First although, what’s (omega_a)? The subscript (a) stands for “evaluation”; thus, (omega_a) denotes a single frequency being probed.

Now, let’s first examine visually the respective impacts of (omega_a) and (Ok).

p1 <- create_wavelet_plot(6 * pi, 4, 5, sample_time)
p2 <- create_wavelet_plot(6 * pi, 6, 5, sample_time)
p3 <- create_wavelet_plot(6 * pi, 8, 5, sample_time)
p4 <- create_wavelet_plot(4 * pi, 6, 5, sample_time)
p5 <- create_wavelet_plot(6 * pi, 6, 5, sample_time)
p6 <- create_wavelet_plot(8 * pi, 6, 5, sample_time)

(p1 | p4) /
  (p2 | p5) /
  (p3 | p6)
Morlet wavelet: Effects of varying scale and analysis frequency.

Within the left column, we preserve (omega_a) fixed, and range (Ok). On the fitting, (omega_a) modifications, and (Ok) stays the identical.

Firstly, we observe that the upper (Ok), the extra the curve will get unfold out. In a wavelet evaluation, because of this extra cut-off dates will contribute to the remodel’s output, leading to excessive precision as to frequency content material, however lack of decision in time. (We’ll return to this – central – trade-off quickly.)

As to (omega_a), its affect is twofold. On the one hand, within the Gaussian time period, it counteracts – precisely, even – the dimensions parameter, (Ok). On the opposite, it determines the frequency, or equivalently, the interval, of the wave. To see this, check out the fitting column. Akin to the totally different frequencies, we’ve, within the interval between 4 and 6, 4, six, or eight peaks, respectively.

This double function of (omega_a) is the rationale why, all-in-all, it does make a distinction whether or not we shrink (Ok), holding (omega_a) fixed, or improve (omega_a), holding (Ok) mounted.

This state of issues sounds difficult, however is much less problematic than it may appear. In follow, understanding the function of (Ok) is necessary, since we have to choose smart (Ok) values to strive. As to the (omega_a), then again, there can be a mess of them, comparable to the vary of frequencies we analyze.

So we are able to perceive the affect of (Ok) in additional element, we have to take a primary have a look at the Wavelet Rework.

Wavelet Rework: An easy implementation

Whereas general, the subject of wavelets is extra multifaceted, and thus, could appear extra enigmatic than Fourier evaluation, the remodel itself is less complicated to know. It’s a sequence of native convolutions between wavelet and sign. Right here is the formulation for particular scale parameter (Ok), evaluation frequency (omega_a), and wavelet location (t_k):

[
W_{K, omega_a, t_k} = sum_n x_n Psi_{omega_{a},K,t_{k}}^*(t_n)
]

That is only a dot product, computed between sign and complex-conjugated wavelet. (Right here complicated conjugation flips the wavelet in time, making this convolution, not correlation – a undeniable fact that issues rather a lot, as you’ll see quickly.)

Correspondingly, easy implementation leads to a sequence of dot merchandise, every comparable to a unique alignment of wavelet and sign. Beneath, in wavelet_transform(), arguments omega and Ok are scalars, whereas x, the sign, is a vector. The result’s the wavelet-transformed sign, for some particular Ok and omega of curiosity.

wavelet_transform <- perform(x, omega, Ok) {
  n_samples <- dim(x)[1]
  W <- torch_complex(
    torch_zeros(n_samples), torch_zeros(n_samples)
  )
  for (i in 1:n_samples) {
    # transfer heart of wavelet
    t_k <- x[i, 1]
    m <- morlet(omega, Ok, t_k, x[, 1])
    # compute native dot product
    # observe wavelet is conjugated
    dot <- torch_matmul(
      m$conj()$unsqueeze(1),
      x[, 2]$to(dtype = torch_cfloat())
    )
    W[i] <- dot
  }
  W
}

To check this, we generate a easy sine wave that has a frequency of 100 Hertz in its first half, and double that within the second.

gencos <- perform(amp, freq, part, fs, period) {
  x <- torch_arange(0, period, 1 / fs)[1:-2]$unsqueeze(2)
  y <- amp * torch_cos(2 * pi * freq * x + part)
  torch_cat(listing(x, y), dim = 2)
}

# sampling frequency
fs <- 8000

f1 <- 100
f2 <- 200
part <- 0
period <- 0.25

s1 <- gencos(1, f1, part, fs, period)
s2 <- gencos(1, f2, part, fs, period)

s3 <- torch_cat(listing(s1, s2), dim = 1)
s3[(dim(s1)[1] + 1):(dim(s1)[1] * 2), 1] <-
  s3[(dim(s1)[1] + 1):(dim(s1)[1] * 2), 1] + period

df <- knowledge.body(
  x = as.numeric(s3[, 1]),
  y = as.numeric(s3[, 2])
)
ggplot(df, aes(x = x, y = y)) +
  geom_line() +
  xlab("time") +
  ylab("amplitude") +
  theme_minimal()
An example signal, consisting of a low-frequency and a high-frequency half.

Now, we run the Wavelet Rework on this sign, for an evaluation frequency of 100 Hertz, and with a Ok parameter of two, discovered via fast experimentation:

Ok <- 2
omega <- 2 * pi * f1

res <- wavelet_transform(x = s3, omega, Ok)
df <- knowledge.body(
  x = as.numeric(s3[, 1]),
  y = as.numeric(res$abs())
)

ggplot(df, aes(x = x, y = y)) +
  geom_line() +
  xlab("time") +
  ylab("Wavelet Rework") +
  theme_minimal()
Wavelet Transform of the above two-part signal. Analysis frequency is 100 Hertz.

The remodel appropriately picks out the a part of the sign that matches the evaluation frequency. In case you really feel like, you would possibly wish to double-check what occurs for an evaluation frequency of 200 Hertz.

Now, in actuality we are going to wish to run this evaluation not for a single frequency, however a variety of frequencies we’re fascinated about. And we are going to wish to strive totally different scales Ok. Now, for those who executed the code above, you could be anxious that this might take a lot of time.

Properly, it by necessity takes longer to compute than its Fourier analogue, the spectrogram. For one, that’s as a result of with spectrograms, the evaluation is “simply” two-dimensional, the axes being time and frequency. With wavelets there are, as well as, totally different scales to be explored. And secondly, spectrograms function on entire home windows (with configurable overlap); a wavelet, then again, slides over the sign in unit steps.

Nonetheless, the state of affairs isn’t as grave because it sounds. The Wavelet Rework being a convolution, we are able to implement it within the Fourier area as a substitute. We’ll try this very quickly, however first, as promised, let’s revisit the subject of various Ok.

Decision in time versus in frequency

We already noticed that the upper Ok, the extra spread-out the wavelet. We will use our first, maximally easy, instance, to research one quick consequence. What, for instance, occurs for Ok set to twenty?

Ok <- 20

res <- wavelet_transform(x = s3, omega, Ok)
df <- knowledge.body(
  x = as.numeric(s3[, 1]),
  y = as.numeric(res$abs())
)

ggplot(df, aes(x = x, y = y)) +
  geom_line() +
  xlab("time") +
  ylab("Wavelet Rework") +
  theme_minimal()
Wavelet Transform of the above two-part signal, with K set to twenty instead of two.

The Wavelet Rework nonetheless picks out the right area of the sign – however now, as a substitute of a rectangle-like consequence, we get a considerably smoothed model that doesn’t sharply separate the 2 areas.

Notably, the primary 0.05 seconds, too, present appreciable smoothing. The bigger a wavelet, the extra element-wise merchandise can be misplaced on the finish and the start. It is because transforms are computed aligning the wavelet in any respect sign positions, from the very first to the final. Concretely, once we compute the dot product at location t_k = 1, only a single pattern of the sign is taken into account.

Aside from presumably introducing unreliability on the boundaries, how does wavelet scale have an effect on the evaluation? Properly, since we’re correlating (convolving, technically; however on this case, the impact, in the long run, is similar) the wavelet with the sign, point-wise similarity is what issues. Concretely, assume the sign is a pure sine wave, the wavelet we’re utilizing is a windowed sinusoid just like the Morlet, and that we’ve discovered an optimum Ok that properly captures the sign’s frequency. Then some other Ok, be it bigger or smaller, will lead to much less point-wise overlap.

Performing the Wavelet Rework within the Fourier area

Quickly, we are going to run the Wavelet Rework on an extended sign. Thus, it’s time to pace up computation. We already stated that right here, we profit from time-domain convolution being equal to multiplication within the Fourier area. The general course of then is that this: First, compute the DFT of each sign and wavelet; second, multiply the outcomes; third, inverse-transform again to the time area.

The DFT of the sign is shortly computed:

F <- torch_fft_fft(s3[ , 2])

With the Morlet wavelet, we don’t even should run the FFT: Its Fourier-domain illustration might be acknowledged in closed type. We’ll simply make use of that formulation from the outset. Right here it’s:

morlet_fourier <- perform(Ok, omega_a, omega) {
  2 * (torch_exp(-torch_square(
    Ok * (omega - omega_a) / omega_a
  )) -
    torch_exp(-torch_square(Ok)) *
      torch_exp(-torch_square(Ok * omega / omega_a)))
}

Evaluating this assertion of the wavelet to the time-domain one, we see that – as anticipated – as a substitute of parameters t and t_k it now takes omega and omega_a. The latter, omega_a, is the evaluation frequency, the one we’re probing for, a scalar; the previous, omega, the vary of frequencies that seem within the DFT of the sign.

In instantiating the wavelet, there may be one factor we have to pay particular consideration to. In FFT-think, the frequencies are bins; their quantity is decided by the size of the sign (a size that, for its half, straight will depend on sampling frequency). Our wavelet, then again, works with frequencies in Hertz (properly, from a consumer’s perspective; since this unit is significant to us). What this implies is that to morlet_fourier, as omega_a we have to go not the worth in Hertz, however the corresponding FFT bin. Conversion is completed relating the variety of bins, dim(x)[1], to the sampling frequency of the sign, fs:

# once more search for 100Hz components
omega <- 2 * pi * f1

# want the bin comparable to some frequency in Hz
omega_bin <- f1/fs * dim(s3)[1]

We instantiate the wavelet, carry out the Fourier-domain multiplication, and inverse-transform the consequence:

Ok <- 3

m <- morlet_fourier(Ok, omega_bin, 1:dim(s3)[1])
prod <- F * m
reworked <- torch_fft_ifft(prod)

Placing collectively wavelet instantiation and the steps concerned within the evaluation, we’ve the next. (Be aware how you can wavelet_transform_fourier, we now, conveniently, go within the frequency worth in Hertz.)

wavelet_transform_fourier <- perform(x, omega_a, Ok, fs) {
  N <- dim(x)[1]
  omega_bin <- omega_a / fs * N
  m <- morlet_fourier(Ok, omega_bin, 1:N)
  x_fft <- torch_fft_fft(x)
  prod <- x_fft * m
  w <- torch_fft_ifft(prod)
  w
}

We’ve already made vital progress. We’re prepared for the ultimate step: automating evaluation over a variety of frequencies of curiosity. This may lead to a three-dimensional illustration, the wavelet diagram.

Creating the wavelet diagram

Within the Fourier Rework, the variety of coefficients we acquire will depend on sign size, and successfully reduces to half the sampling frequency. With its wavelet analogue, since anyway we’re doing a loop over frequencies, we’d as properly resolve which frequencies to research.

Firstly, the vary of frequencies of curiosity might be decided operating the DFT. The subsequent query, then, is about granularity. Right here, I’ll be following the advice given in Vistnes’ guide, which is predicated on the relation between present frequency worth and wavelet scale, Ok.

Iteration over frequencies is then applied as a loop:

wavelet_grid <- perform(x, Ok, f_start, f_end, fs) {
  # downsample evaluation frequency vary
  # as per Vistnes, eq. 14.17
  num_freqs <- 1 + log(f_end / f_start)/ log(1 + 1/(8 * Ok))
  freqs <- seq(f_start, f_end, size.out = ground(num_freqs))
  
  reworked <- torch_zeros(
    num_freqs, dim(x)[1],
    dtype = torch_cfloat()
    )
  for(i in 1:num_freqs) {
    w <- wavelet_transform_fourier(x, freqs[i], Ok, fs)
    reworked[i, ] <- w
  }
  listing(reworked, freqs)
}

Calling wavelet_grid() will give us the evaluation frequencies used, along with the respective outputs from the Wavelet Rework.

Subsequent, we create a utility perform that visualizes the consequence. By default, plot_wavelet_diagram() shows the magnitude of the wavelet-transformed sequence; it will probably, nevertheless, plot the squared magnitudes, too, in addition to their sq. root, a technique a lot really helpful by Vistnes whose effectiveness we are going to quickly have alternative to witness.

The perform deserves a couple of additional feedback.

Firstly, identical as we did with the evaluation frequencies, we down-sample the sign itself, avoiding to counsel a decision that isn’t really current. The formulation, once more, is taken from Vistnes’ guide.

Then, we use interpolation to acquire a brand new time-frequency grid. This step could even be vital if we preserve the unique grid, since when distances between grid factors are very small, R’s picture() could refuse to just accept axes as evenly spaced.

Lastly, observe how frequencies are organized on a log scale. This results in way more helpful visualizations.

plot_wavelet_diagram <- perform(x,
                                 freqs,
                                 grid,
                                 Ok,
                                 fs,
                                 f_end,
                                 sort = "magnitude") {
  grid <- change(sort,
    magnitude = grid$abs(),
    magnitude_squared = torch_square(grid$abs()),
    magnitude_sqrt = torch_sqrt(grid$abs())
  )

  # downsample time sequence
  # as per Vistnes, eq. 14.9
  new_x_take_every <- max(Ok / 24 * fs / f_end, 1)
  new_x_length <- ground(dim(grid)[2] / new_x_take_every)
  new_x <- torch_arange(
    x[1],
    x[dim(x)[1]],
    step = x[dim(x)[1]] / new_x_length
  )
  
  # interpolate grid
  new_grid <- nnf_interpolate(
    grid$view(c(1, 1, dim(grid)[1], dim(grid)[2])),
    c(dim(grid)[1], new_x_length)
  )$squeeze()
  out <- as.matrix(new_grid)

  # plot log frequencies
  freqs <- log10(freqs)
  
  picture(
    x = as.numeric(new_x),
    y = freqs,
    z = t(out),
    ylab = "log frequency [Hz]",
    xlab = "time [s]",
    col = hcl.colours(12, palette = "Gentle grays")
  )
  most important <- paste0("Wavelet Rework, Ok = ", Ok)
  sub <- change(sort,
    magnitude = "Magnitude",
    magnitude_squared = "Magnitude squared",
    magnitude_sqrt = "Magnitude (sq. root)"
  )

  mtext(facet = 3, line = 2, at = 0, adj = 0, cex = 1.3, most important)
  mtext(facet = 3, line = 1, at = 0, adj = 0, cex = 1, sub)
}

Let’s use this on a real-world instance.

An actual-world instance: Chaffinch’s tune

For the case examine, I’ve chosen what, to me, was probably the most spectacular wavelet evaluation proven in Vistnes’ guide. It’s a pattern of a chaffinch’s singing, and it’s obtainable on Vistnes’ web site.

url <- "http://www.physics.uio.no/pow/wavbirds/chaffinch.wav"

obtain.file(
 file.path(url),
 destfile = "/tmp/chaffinch.wav"
)

We use torchaudio to load the file, and convert from stereo to mono utilizing tuneR’s appropriately named mono(). (For the sort of evaluation we’re doing, there isn’t any level in holding two channels round.)

library(torchaudio)
library(tuneR)

wav <- tuneR_loader("/tmp/chaffinch.wav")
wav <- mono(wav, "each")
wav
Wave Object
    Variety of Samples:      1864548
    Period (seconds):     42.28
    Samplingrate (Hertz):   44100
    Channels (Mono/Stereo): Mono
    PCM (integer format):   TRUE
    Bit (8/16/24/32/64):    16 

For evaluation, we don’t want the entire sequence. Helpfully, Vistnes additionally printed a suggestion as to which vary of samples to research.

waveform_and_sample_rate <- transform_to_tensor(wav)
x <- waveform_and_sample_rate[[1]]$squeeze()
fs <- waveform_and_sample_rate[[2]]

# http://www.physics.uio.no/pow/wavbirds/chaffinchInfo.txt
begin <- 34000
N <- 1024 * 128
finish <- begin + N - 1
x <- x[start:end]

dim(x)
[1] 131072

How does this look within the time area? (Don’t miss out on the event to truly hear to it, in your laptop computer.)

df <- knowledge.body(x = 1:dim(x)[1], y = as.numeric(x))
ggplot(df, aes(x = x, y = y)) +
  geom_line() +
  xlab("pattern") +
  ylab("amplitude") +
  theme_minimal()
Chaffinch’s song.

Now, we have to decide an inexpensive vary of study frequencies. To that finish, we run the FFT:

On the x-axis, we plot frequencies, not pattern numbers, and for higher visibility, we zoom in a bit.

bins <- 1:dim(F)[1]
freqs <- bins / N * fs

# the bin, not the frequency
cutoff <- N/4

df <- knowledge.body(
  x = freqs[1:cutoff],
  y = as.numeric(F$abs())[1:cutoff]
)
ggplot(df, aes(x = x, y = y)) +
  geom_col() +
  xlab("frequency (Hz)") +
  ylab("magnitude") +
  theme_minimal()
Chaffinch’s song, Fourier spectrum (excerpt).

Primarily based on this distribution, we are able to safely limit the vary of study frequencies to between, roughly, 1800 and 8500 Hertz. (That is additionally the vary really helpful by Vistnes.)

First, although, let’s anchor expectations by making a spectrogram for this sign. Appropriate values for FFT dimension and window dimension have been discovered experimentally. And although, in spectrograms, you don’t see this performed typically, I discovered that displaying sq. roots of coefficient magnitudes yielded probably the most informative output.

fft_size <- 1024
window_size <- 1024
energy <- 0.5

spectrogram <- transform_spectrogram(
  n_fft = fft_size,
  win_length = window_size,
  normalized = TRUE,
  energy = energy
)

spec <- spectrogram(x)
dim(spec)
[1] 513 257

Like we do with wavelet diagrams, we plot frequencies on a log scale.

bins <- 1:dim(spec)[1]
freqs <- bins * fs / fft_size
log_freqs <- log10(freqs)

frames <- 1:(dim(spec)[2])
seconds <- (frames / dim(spec)[2])  * (dim(x)[1] / fs)

picture(x = seconds,
      y = log_freqs,
      z = t(as.matrix(spec)),
      ylab = 'log frequency [Hz]',
      xlab = 'time [s]',
      col = hcl.colours(12, palette = "Gentle grays")
)
most important <- paste0("Spectrogram, window dimension = ", window_size)
sub <- "Magnitude (sq. root)"
mtext(facet = 3, line = 2, at = 0, adj = 0, cex = 1.3, most important)
mtext(facet = 3, line = 1, at = 0, adj = 0, cex = 1, sub)
Chaffinch’s song, spectrogram.

The spectrogram already exhibits a particular sample. Let’s see what might be performed with wavelet evaluation. Having experimented with a couple of totally different Ok, I agree with Vistnes that Ok = 48 makes for a superb alternative:

f_start <- 1800
f_end <- 8500

Ok <- 48
c(grid, freqs) %<-% wavelet_grid(x, Ok, f_start, f_end, fs)
plot_wavelet_diagram(
  torch_tensor(1:dim(grid)[2]),
  freqs, grid, Ok, fs, f_end,
  sort = "magnitude_sqrt"
)
Chaffinch’s song, wavelet diagram.

The acquire in decision, on each the time and the frequency axis, is completely spectacular.

Thanks for studying!

Photograph by Vlad Panov on Unsplash

Vistnes, Arnt Inge. 2018. Physics of Oscillations and Waves. With Use of Matlab and Python. Springer.

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